Showing posts with label publishing. Show all posts
Showing posts with label publishing. Show all posts

Tuesday, June 30, 2015

Ghostwriting: Q&A with Ghostwriter Heather Hummel

"So, what exactly does a ghostwriter do?"

That question has been asked of me repeatedly during my over decade long career as a ghostwriter. Some already have guesses or an idea of what the career entails, while others have not a clue. Therefore, when David Wogahn approached me about including a chapter in his eBook titled Successful eBook Publishing: The Complete How-to Guide for Creating and Launching Your Amazon Kindle eBook, I jumped at the chance. The following is an excerpt from his book, a Q&A with yours truly that takes the mystique out of ghostwriting.



For the Time or Writing Challenged

Let's face it, as much as we recognize the value of being called an author and basking in the expert status it conveys not all of us have the time or skills to write a book. In these situations it makes sense to work with a ghostwriter--someone with the skills and qualifications to write on your behalf.

For this topic I sought out the advice of my friend Heather Hummel, a ghostwriter and successful author in her own right. Heather has worked with a number of professionals to help them either write their book or shape what they already have into a book. As an author she also brings a strong sense of marketing and what it takes to produce something commercially viable.

David Wogahn: What is ghostwriting?

Heather Hummel: In my role as a novelist, the characters in my fictional Journals from the Heart series come into my head and tell me how it's going to be! They show up in my mind and take me along each step of their journey...in other words, my protagonists own me while I write their novel!

But, my role as a ghostwriter is quite different. I wear a different pen for each client. Despite what might be envisioned, being a ghostwriter does not mean hiding away behind the scenes pounding words out for a client. It's a very interactive approach that requires give and take on both sides. That means I adapt my technique to match the client's needs.

Some clients are able to write and simply need editing and coaching on the direction of their book, others need help writing, but know the direction of their book. Clients hire me for my expertise in writing, formula and format of a manuscript. But, I still need a gist of their story, their message and purpose. It truly becomes such a collaborative effort that by time the first draft is complete, I have to step aside and touch base with Heather Hummel again.

DW: What is the hardest part about ghostwriting?

Heather Hummel: The number one challenge is writing in the client's voice. This means leaving any personal agenda (i.e. ego) aside while stepping into their shoes, learning their voice, their message, and their agenda for delivering it. In fact, one of my first paid writing gigs was for Albemarle Family magazine in 2005. I went on to write over a dozen feature articles for them, and even though I hadn't been married, let alone birthed any kids, I was the top writer for this family focused magazine.

DW: How did you get started?

Heather Hummel: The ghostwriting project that landed me an agent and a book deal, essentially launching my career, was Gracefully: Looking and Being Your Best at Any Age (McGraw-Hill, 2008), co-written with Valerie Ramsey (my mother), who became a model at the age of 63. It's often assumed that it was easy for me to write from my mother's voice. But it's not that simple, especially when penning a self-help book. The key is to constantly think about the reader and what they would get out of the message. In this case it was to seek new challenges at any age while staying healthy in body, mind and spirit. As the ghostwriter, I interviewed nutritionists, healthy aging experts and a Pilates instructor.

DW: How or does a ghostwriter receive writing credit? Heather Hummel: There are varying levels of ghostwriting--from pure ghost where no one knows you wrote it (this is often the case with politicians) to "with" credit to "coauthor." In Gracefully's case, I received public recognition as coauthor "with Heather Hummel" acknowledgment on the book's cover. Each has its advantages and can be negotiated in different ways. Some clients might benefit from their association with an award winning coauthor because the coauthor may have their own following. Other clients may not wish to publicize they did not actually write the book themselves. This is usually to protect their personal or corporate branding. In cases such as these, where a ghostwriter doesn't receive public credit, they can negotiate higher royalties and pay in trade for nondisclosure. It's the old adage...do you want the fame or the fortune?

DW: What should someone expect to pay a ghostwriter?

Heather Hummel: The ghostwriter's fee depends on the type of project, the advance [upfront financial payment from the publisher], and whether or not they receive royalties and a portion of the advance. Some ghostwriters, such as myself, charge a flat fee of $100 per page. This includes all of the time spent researching, performing relevant interviews, writing, and editing. For a book, a general fee would range between $20,000 and $75,000 if no royalties or percentage of advance. However, there are so many ways to negotiate different options, that there really is no "average fee." Since royalties and advances vary greatly per book and client, it's always a risk for the ghostwriter to write based solely on these two factors. This is why I've gone to a flat fee or per page fee.

DW: Are there ghostwriter "associations"? How do you find a ghostwriter?

Heather Hummel:

Association of Ghostwriters

International Association of Ghostwriters

And, of course you can visit my own website at www.HeatherHummelAuthor.com


*Originally published in Successful eBook Publishing: The Complete How-to Guide for Creating and Launching Your Amazon Kindle eBook; by David Wogahn

Monday, January 02, 2012

What a Difference a Decade Makes: 10 Years Later in Publishing

There are times when the analytical side of this writer comes out, and tonight was one of them. In researching statistics on current publishing trends, I found a lot of data from 2002 - an entire decade ago. Some of the numbers are eye-opening, yet not surprising to those of us who have been following along.

Nowadays books are being written on iPads and uploaded to Amazon, making them for sale in a matter of moments. Yet, these statistics remind us where we were 10 years ago and of the amazing difference a decade can make in one industry:


2002: Online bookstores sold 10% of the books.
-- The Wall Street Journal, June 18, 2003

2002 gross sales:
Barnes &; Noble: $3.7 billion
Borders Group: $3.4 billion
Amazon: $2.0 billion
--Publishers weekly, April 7, 2003.

eBook sales increased 1,442% in January 2003 over January 2002.
--Publishers weekly, March 24, 2003.

Borders returns rates: 26.55% in 2002
-- Foner Books

2002: Borders opened 41 super stores for a total of 404.
Closed 53 Waldenbook stores and opened 4, leaving a total of 778.
8 new stores were opened overseas for a total of 30 super stores and 37 Books, Etc
.
--Publishers weekly, March 17, 2003.


2002: $450 million was spent on general-interest books at big-box stores such as Wal-Mart. That figure is up 7.4% from 2000. Costco and other price clubs are taking market share from the bookstores.
--Ipsos Book Trends, reported in The Wall Street Journal, June 18, 2003

2002: Of the $23.7 billion spent on books, only $10.7 billion is spent in bookstores. The non-traditional outlets sell more books.
--Tami DePalma, Marketability.

These are the highlights, but you can read more statistics at Para Publishing

*****

Besides immersing herself in photography, Heather Hummel is a celebrity ghostwriter and an award-winning, best-selling author. Her published works include:
Journals from the Heart Series:
Whispers from the Heart (2011)
Write from the Heart (2011)
Nonfiction:
GO BIKE & Other Signs from the Universe (2011)
Gracefully: Looking and Being Your Best at Any Age (McGraw-Hill, 2008),
Essays:
Messages of Hope and Healing ( Sunpiper Media, 2006)
Blue Ridge Anthology (Cedar Creek, 2007) with David Baldacci and Rita Mae Brown
Awards:
2009 Mature Media Awards, Merit Award
2009 New York Book Festival, Honorable Mention

Wednesday, July 06, 2011

Casey Anthony's Potential Book Deal

It's bad enough the prosecutors did a complete injustice to Caylee Anthony, but to further an already awful situation, there is now talk of Casey Anthony acquiring a book deal. As a ghostwriter for celebrities and public figures, I would not touch this book deal with a 3,000 mile long golden pen. But, when I saw an article on ABC's website about a potential book deal, I was compelled to read it. (Never mind that the article was listed under "Entertainment" and not "News"!)

But, there are literary agents and publishers who not only expect to see a book deal out of this catastrophe, but who would welcome it. One agent interviewed in the article is quoted as follows:

Konner said that it's "not impossible" to expect Anthony to get an advance between $750,000 and $1 million for her memoirs. On top of that, Anthony would receive a cut from the sales of the book. If a TV or film studio acquires the rights to it, she would profit even more.

I'm not the least bit surprised by this, just appalled. But, what's just as disturbing to me is how the concept of publishing and the way Casey Anthony would make money by writing a book is presented in this quote. The fact of the matter is, which is not made clear here, that Anthony (and her ghostwriter, who would likely receive a good percentage of the advance and royalties - and probably movie deal) need to earn out the advance before they get a "cut from the sales of the book."

I find it irresponsible to report that she could receive a hypothetical $750,000 to $1,000,000 advance and make it sound like the minute the first book sells, she's adding to her bank account. That's not how it works, and the proper term for "receiving a cut from the sales of the book" is called a "Royalty." Royalties are paid after the advance is met. So, any "on top of" means that Anthony's book will have to have sold a pretty darn good number of books before she sees more money. Ghostwriters can sometimes receive public credit for the works they pen (i.e. when there's a "with" credit), but often times ghostwriters barter for a larger percentage of advance and royalties with no public credit. Often the celebrity does not want any public credit given to the ghostwriter, so it's a moot point and the ghostwriter is under contract to not publicly disclose their clients.

In the case of Casey Anthony, I can't imagine any writer taking on this book and still being able to sleep at night and look at themselves in the mirror. And, if that many people want to read such a book, that's their prerogative. But, as a ghostwriter, I like getting my eight hours of uninterrupted sleep and working with clients who bring inspirational messages to readers...you could not pay me a million dollars to write Casey Anthony's book.


I'm proud to be a Californian where then have already enacted the Caylee Anthony Law!

Heather Hummel is a Celebrity Ghostwriter and the Author of GO BIKE & Other Signs from the Universe,  Gracefully: Looking and Being Your Best At Any Age, Whispers from the Heart and Write from the Heart. She has never smoked a cigarette or drank a cup of coffee. 
Visit Heather's website at: http://www.heatherhummelauthor.com
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