Showing posts with label amazon. Show all posts
Showing posts with label amazon. Show all posts

Tuesday, June 30, 2015

Ghostwriting: Q&A with Ghostwriter Heather Hummel

"So, what exactly does a ghostwriter do?"

That question has been asked of me repeatedly during my over decade long career as a ghostwriter. Some already have guesses or an idea of what the career entails, while others have not a clue. Therefore, when David Wogahn approached me about including a chapter in his eBook titled Successful eBook Publishing: The Complete How-to Guide for Creating and Launching Your Amazon Kindle eBook, I jumped at the chance. The following is an excerpt from his book, a Q&A with yours truly that takes the mystique out of ghostwriting.



For the Time or Writing Challenged

Let's face it, as much as we recognize the value of being called an author and basking in the expert status it conveys not all of us have the time or skills to write a book. In these situations it makes sense to work with a ghostwriter--someone with the skills and qualifications to write on your behalf.

For this topic I sought out the advice of my friend Heather Hummel, a ghostwriter and successful author in her own right. Heather has worked with a number of professionals to help them either write their book or shape what they already have into a book. As an author she also brings a strong sense of marketing and what it takes to produce something commercially viable.

David Wogahn: What is ghostwriting?

Heather Hummel: In my role as a novelist, the characters in my fictional Journals from the Heart series come into my head and tell me how it's going to be! They show up in my mind and take me along each step of their journey...in other words, my protagonists own me while I write their novel!

But, my role as a ghostwriter is quite different. I wear a different pen for each client. Despite what might be envisioned, being a ghostwriter does not mean hiding away behind the scenes pounding words out for a client. It's a very interactive approach that requires give and take on both sides. That means I adapt my technique to match the client's needs.

Some clients are able to write and simply need editing and coaching on the direction of their book, others need help writing, but know the direction of their book. Clients hire me for my expertise in writing, formula and format of a manuscript. But, I still need a gist of their story, their message and purpose. It truly becomes such a collaborative effort that by time the first draft is complete, I have to step aside and touch base with Heather Hummel again.

DW: What is the hardest part about ghostwriting?

Heather Hummel: The number one challenge is writing in the client's voice. This means leaving any personal agenda (i.e. ego) aside while stepping into their shoes, learning their voice, their message, and their agenda for delivering it. In fact, one of my first paid writing gigs was for Albemarle Family magazine in 2005. I went on to write over a dozen feature articles for them, and even though I hadn't been married, let alone birthed any kids, I was the top writer for this family focused magazine.

DW: How did you get started?

Heather Hummel: The ghostwriting project that landed me an agent and a book deal, essentially launching my career, was Gracefully: Looking and Being Your Best at Any Age (McGraw-Hill, 2008), co-written with Valerie Ramsey (my mother), who became a model at the age of 63. It's often assumed that it was easy for me to write from my mother's voice. But it's not that simple, especially when penning a self-help book. The key is to constantly think about the reader and what they would get out of the message. In this case it was to seek new challenges at any age while staying healthy in body, mind and spirit. As the ghostwriter, I interviewed nutritionists, healthy aging experts and a Pilates instructor.

DW: How or does a ghostwriter receive writing credit? Heather Hummel: There are varying levels of ghostwriting--from pure ghost where no one knows you wrote it (this is often the case with politicians) to "with" credit to "coauthor." In Gracefully's case, I received public recognition as coauthor "with Heather Hummel" acknowledgment on the book's cover. Each has its advantages and can be negotiated in different ways. Some clients might benefit from their association with an award winning coauthor because the coauthor may have their own following. Other clients may not wish to publicize they did not actually write the book themselves. This is usually to protect their personal or corporate branding. In cases such as these, where a ghostwriter doesn't receive public credit, they can negotiate higher royalties and pay in trade for nondisclosure. It's the old adage...do you want the fame or the fortune?

DW: What should someone expect to pay a ghostwriter?

Heather Hummel: The ghostwriter's fee depends on the type of project, the advance [upfront financial payment from the publisher], and whether or not they receive royalties and a portion of the advance. Some ghostwriters, such as myself, charge a flat fee of $100 per page. This includes all of the time spent researching, performing relevant interviews, writing, and editing. For a book, a general fee would range between $20,000 and $75,000 if no royalties or percentage of advance. However, there are so many ways to negotiate different options, that there really is no "average fee." Since royalties and advances vary greatly per book and client, it's always a risk for the ghostwriter to write based solely on these two factors. This is why I've gone to a flat fee or per page fee.

DW: Are there ghostwriter "associations"? How do you find a ghostwriter?

Heather Hummel:

Association of Ghostwriters

International Association of Ghostwriters

And, of course you can visit my own website at www.HeatherHummelAuthor.com


*Originally published in Successful eBook Publishing: The Complete How-to Guide for Creating and Launching Your Amazon Kindle eBook; by David Wogahn

Tuesday, June 23, 2015

What Compels an Agent to Sign an Author? Q&A With Literary Agents Jeff Kleinman and Michelle Brower (Part III of III)

In this Part III of the series from my interview with literary agents Jeff Kleinman and Michelle Brower of Folio Literary Management; they continue to shed light on the industry by discussing what compels them to sign an author and how willing they are to edit. 

Q: What compelled you to make offers to the last authors you signed?

2014-04-23-MichelleBrower.jpg

Michelle Brower
Photo Credit: Folio Literary Management
Michelle: I have two very different examples of authors who came to me, and they are both really great in their own ways. One author I signed earlier this year came through my slush pile. Her novel is literary women's fiction, and we are in the process of selling it now. The great part is that we didn't know each other at all. She really was a blind submission. The one thing that made me sign her was that the quality of her novel really drew me in. It worked in terms of pacing and plot, and it had a really interesting concept. All of those pieces came together and made me pull it out of the slush pile, read it and decide to offer on it. She has a career, but being a novelist is what she always wanted to do, and now we are making it happen. I really love when that happens because I do think there are a lot of very talented writers out there who aren't living in New York or attending the same parties or know colleagues who referred them to me or who don't have that kind of connectedness to the industry; and yet, they are good writers who have an excellent book. I hope to be the person who helps get them out there into the world.

The other example, which is a very different way of going about landing an agent, occurred while I was working with an author who published her first novel with a major publisher 10 years ago. It didn't do very well and her agent has since left the industry. She wrote a new novel and hired a freelance editor for it, and that editor contacted me and suggested I read it. I read it. I loved it. I offered representation and found out that there were seven other agents who also offered her representation! So, I had to really, really fight for her to choose me. I fought very hard, and so I'm very, very excited about that one as well. She wrote a great book, and as I said earlier, that's the heart of what is really important.

Having connections is better than a platform because, honestly, when one of my authors recommends a friend who's in their writing group, I pay attention, even if they're not always for me. There's something about having somebody I already know, like, and whose work I respect pass me something to look at.

For self-published books, I don't know that it takes an immediate platform, but what it takes is a lot of engagement, especially community engagement. We certainly encourage all of our authors to be on Facebook, Twitter, GoodReads and Instagram. It's really important to actually connect with a reading community, and for self-published authors that's pretty much the best and only way they can get the word out about their book.

I have definitely picked up authors who have been self-published because I've seen that they've managed to find an audience without anyone's help. Then I read their book, and I can see where I can actually be of help to that author. That's when it works.

Q: Do you edit clients' work?

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Jeff Kleinman
Photo Credit: Folio Literary Management

Jeff: I have been known to sit down with an author, develop the concept with characters and an outline, and then they send me three chapters at a time. That kind of incredible micro-level attention, however, is only the case for clients I already represent. For example, I was reading a revised version of a novel, and while reading it I got lightheaded, my fingers went numb, and I was hyperventilating! It was amazing. But, about halfway through it disintegrated. We had a long discussion about it, and he is now sitting down and reworking the outline. So, yes, I will work incredibly hands-on, but almost only ever for someone I have a relationship with.

Ultimately, an author needs to submit the best manuscript they can possibly deliver. The worst that can happen is when I pass on a submission, and I tell the author that I liked everything except X, Y and Z. and they respond with, "Gosh, I was afraid of that." Or "I hoped you wouldn't notice." Believe me, we notice. So, although we are willing to work with people, we want to work with people who are ready to be worked with.

Q:If you had one message for Indie authors, what would it be?
 
Michelle: We are not here to be mean to them. We are not here to keep them out. We are here to let in the books we think can work with. We are gatekeepers, but it's not because we don't like an author, and it's not because we don't think their work is good or that we don't think it has an audience. We just don't know how to find that specific audience. We're not out to say no to authors, we actually want to say yes. But, if you look back at the numbers I gave you about my slush pile (see Part II) we just can't. There are a lot of Indie authors who want to stay Indie. I think that's a great choice for many of them. However, some want to use the fact that they found their audience as a way to break into traditional publishing. I think both of those scenarios can work.

Jeff: The reality is, it's a brave new world of publishing, and agents are only one part of it.

Thank you to Jeff and Michelle for sharing their industry expertise, views, and stories!

Read Part I of the series
Read Part II of the series

Thursday, February 28, 2013

I Don't Blame Amazon for Ridding "Like" and "Tags"

Here's what I know will be an unpopular post regarding Amazon ridding the Tag and Like features, but here goes:
I was happy when Amazon got rid of tags because they were overly abused by the masses, which lead to defeating the purpose of them.
The Like feature's purpose was to help Amazon identify what books you like so they can continue to make recommendations to you.
Indie Authors piled up and Liked books for fellow authors, whether they read them or not, and this skewed the purpose of the feature.
I know this won't be a welcome thought, but rather than trying to manipulate a system (aka Amazon), I wish more Indie Authors had focused on good writing and promoting authentically.
I always felt all those manipulations were just that - manipulations. Honest RTs and sharing posts on FB like many of us do is FABULOUS and how it should be done. Trying to manipulate Amazon's system, well...I honestly don't blame Amazon for getting rid of those features. I don't see them as "out to get Indie Authors" as much as Indie Authors manipulated their system, so...if these features aren't working as intended, Amazon has the right to remove them.

Lastly, Amazon used the Like feature on all their products. It's no longer on, for example, the Canon EOS T3i - or any other product. It's not all about authors, Indie or otherwise, in the Amazon world. 

Thursday, August 09, 2012

Review: MY TEMPORARY LIFE by Martin Crosbie


 "Each storyline weaves together to make a literary cloth that you are likely to wear in your mind for years to come."

I don’t write book reviews that recap the story. The book description serves that purpose. I rather prefer to share my reaction to the book and how it grabbed or didn’t grab me. This one was a grabber. It’s been a long time since a book has touched me as deeply as My Temporary Life: Book One of the My Temporary Life Trilogy did. The irony was that I chose to read this particular book in order to be in a literary world far removed from the reality of daily life. Surely a storyline about a young lad growing up in Scotland would be about as far removed from my life as a forty-seven year old writer living in the Colorado Rocky Mountains. Well, indeed, it was far removed from my own life. But, still the author, Martin Crosbie, found a way to subtly, and at times not so subtly, lure me into Malcolm’s world in such a way that made me think a lot about my own. And that’s just part of what makes this such a fabulous read. Crosbie’s writing style is engaging and crisp. Each word is purposeful. Each character is developed in a way that the book wouldn’t be complete without them. Each storyline weaves together to make a literary cloth that you are likely to wear in your mind for years to come.
The premise is about doing the right thing, and if you don’t do the right thing, how you may or may not move on with regrets. Starting with tough decisions as a young teenager right through is adult years, Malcolm is faced with having to do (or choose not to do) the right thing in some pretty intense situations. Malcolm is not the only one faced with the painful reality of retreating versus reacting, and in each case, it makes you think, what would I have done? Crosbie does a wonderful job of developing Malcolm’s relationship with each and every character, be them friend or foe. Through this, Malcolm’s character and personality are defined brilliantly.
This book is an enriching one that appeals to a wide range of demographics. No matter where you live, whether you’re male or female, whether you like coming of age, get captivated by suspense or are a sucker for a love story, this book has it all. But most of all, this is a book that will change the way you think, and perhaps even the way you act.


With over 130,000 downloads of My Temporary Life: Book One of the My Temporary Life Trilogy , there will be a bunch of us readers anxiously awaiting his second novel, My Name Is Hardly-Book Two of the My Temporary Life Trilogy .

This review is posted as a standing ovation with 5 Stars on:
Amazon, Barnes & Noble, and Goodreads.


Monday, January 02, 2012

What a Difference a Decade Makes: 10 Years Later in Publishing

There are times when the analytical side of this writer comes out, and tonight was one of them. In researching statistics on current publishing trends, I found a lot of data from 2002 - an entire decade ago. Some of the numbers are eye-opening, yet not surprising to those of us who have been following along.

Nowadays books are being written on iPads and uploaded to Amazon, making them for sale in a matter of moments. Yet, these statistics remind us where we were 10 years ago and of the amazing difference a decade can make in one industry:


2002: Online bookstores sold 10% of the books.
-- The Wall Street Journal, June 18, 2003

2002 gross sales:
Barnes &; Noble: $3.7 billion
Borders Group: $3.4 billion
Amazon: $2.0 billion
--Publishers weekly, April 7, 2003.

eBook sales increased 1,442% in January 2003 over January 2002.
--Publishers weekly, March 24, 2003.

Borders returns rates: 26.55% in 2002
-- Foner Books

2002: Borders opened 41 super stores for a total of 404.
Closed 53 Waldenbook stores and opened 4, leaving a total of 778.
8 new stores were opened overseas for a total of 30 super stores and 37 Books, Etc
.
--Publishers weekly, March 17, 2003.


2002: $450 million was spent on general-interest books at big-box stores such as Wal-Mart. That figure is up 7.4% from 2000. Costco and other price clubs are taking market share from the bookstores.
--Ipsos Book Trends, reported in The Wall Street Journal, June 18, 2003

2002: Of the $23.7 billion spent on books, only $10.7 billion is spent in bookstores. The non-traditional outlets sell more books.
--Tami DePalma, Marketability.

These are the highlights, but you can read more statistics at Para Publishing

*****

Besides immersing herself in photography, Heather Hummel is a celebrity ghostwriter and an award-winning, best-selling author. Her published works include:
Journals from the Heart Series:
Whispers from the Heart (2011)
Write from the Heart (2011)
Nonfiction:
GO BIKE & Other Signs from the Universe (2011)
Gracefully: Looking and Being Your Best at Any Age (McGraw-Hill, 2008),
Essays:
Messages of Hope and Healing ( Sunpiper Media, 2006)
Blue Ridge Anthology (Cedar Creek, 2007) with David Baldacci and Rita Mae Brown
Awards:
2009 Mature Media Awards, Merit Award
2009 New York Book Festival, Honorable Mention

Monday, August 22, 2011

Oz has Spoken! And "Oz" is the Reader! The New Trend in Kindle Tags



"This new trend of using tags to boycott traditional publishers' high Kindle prices is quite telling of the times."  - Heather Hummel

Anyone with enough online experience knows that when you "tag" something - such as a blog post - you're providing a searchable word related to the tagged content. For example, a blog on what to pack for a summer picnic might use the tag words "summer" "picnics" "sandwiches" "blanket" "basket" "flies" - you get the idea.

Any author knows that when their book is listed on Amazon (or other online bookstores) tags can be assigned to describe their book by using the  "Tags Customers Associate with This Product" feature. A John Grisham book would likely be tagged with words like "legal" and "lawyer" whereas a Jennifer Weiner book would be tagged with "Chick Lit" and "Women's Lit" etc. When a book is tagged on Amazon, other readers have the option to "agree" with a tag. The higher the number of "agrees" to a particular tag results in better odds of it moving up the ranks in search results for that word. For example, if someone searches "Chick Lit" and one of Jennifer Weiner's books is tagged "Chick Lit" and hundreds or thousands of readers agree, it will rank high in a search. Another author might have "Chick Lit" as a tag, but only a few people check on its box to "agree," causing it to rank lower in search results. It's all very word and click driven!

That was the original concept for tagging. However, what I'm seeing now is an interesting trend in readers using tags to boycott high Kindle prices set by traditional publishers. A Jennifer Weiner paper back might be tagged with "Chick Lit" "Funny" "Women" "Beach Read" and "Relationships" and yet, her Kindle version of her recent book Then Came You is tagged with: "too expensive for kindle, waiting for kindle price to go down, ebook overpriced, outrageous kindle price, publisher greed, 9 99 boycott, jennifer weiner, kindle swindle, no sale, agency 5 price fixing."

This new trend of using tags to boycott traditional publishers' high Kindle prices is quite telling of the times. Naturally, this use of tagging hurts the author because the tags that ought to represent their book aren't being used, but the tags such as the ones above are. Ultimately, the anger being directed at the publishers is punishing the author. My belief is that the publishers aren't even noticing this! A good publisher would ensure that their authors' Kindle books have the proper tags listed since it's such a powerful tool for books sales,  but they don't seem to be. Yet, if they did, they'd notice what tags are there instead.

One common misunderstanding that I'll dispel is that Kindle does NOT set the price for its eBooks. The publishers do. I hear many people complaining about Kindle setting prices too high, when in fact the price is set by the publishers. And, clearly the readers aren't happy with any eBook priced over $9.99.

Heather Hummel,The Gypsy Writer, is the author of the Journals from the Heart Series featuring Whispers from the Heart and Write from the Heart.

Her nonfiction titles include:

GO BIKE & Other Signs from the Universe  (PathBinder, 2011)
Gracefully Looking and Being Your Best at Any Age (McGraw-Hill, 2008)

Heather's books have appeared in newspapers such as: Publishers Weekly, USA Today and the Washington Post; and in magazines that include: Body & Soul, First, and Spry Living, a combined circulation of nearly 15 million.
Visit Heather's website at: http://www.heatherhummelauthor.com
Join her Facebook Fan Page 

Follow Heather on Twitter